And then, more acutely, on The Dynasty, his crew album from the year before, where he ventured into more personal exposition and more soulful, sample-based production.īut these crude forays only hinted at what was to come. 3 where he lashed out at oncomers-daring them, inviting violence, reminding listeners of his proximity to the street. In retrospect, bread crumbs to The Blueprint’s topical and musical themes can be found first on Vol. Jay-Z had to make The Great American Rap Album. Jay could be the King of The Post-Biggie “Jiggy” Era, or simply, the King. He knew, as well as anybody, that this album would be a tipping point. With all of this on his mind, that spring, Jay-Z absconded from New York to a recording studio in Miami to meditate on what he believed had to be his magnum opus. The weight of his own growth, of his own grandeur, threatened to collapse on itself. Most troubling, his wins had begun to sour not only his competitors-Prodigy and Nas, principally-but also the fickle fans who had once celebrated his ascension. His actions-be it his alleged gun-toting, his admitted stabbing of Lance “Un” Rivera, or his with women like Blu Cantrell-became the subject of gossip and repercussion. He was experiencing a new level of accountability, too. His life was indeed changing-in a couple years he’d gone from 560 State Street to a condo (presumably, now, with more than just condoms in it) in New Jersey A hundred-and-nine-thousand in dirty cash to taxable millions. Jay-Z was quietly beset by all of the above. Instead, difficulties: change, scrutiny, and, unfortunately and inevitably, envy. And he’d done it with cold-blooded nonchalance and emotional efficiency, sharing a very limited amount of himself along the way.īut success is a breeding ground for many things, happiness not always among them. His unstoppable force had obliterated every obstacle in its way, leaving a string of former problems and a pile of rap history in its wake.
The drug dealer-turned rap phenom-turned reluctant pop star was enjoying unprecedented success in the spring of ’01.įive successful albums (some more critically so, others more commercially) in five years. Label: Roc-A-Fella/Def Jam Producers: Bink, Kanye West, Just Blaze, Trackmasters, Timbaland, Eminem Features: Eminem Rap’s best analogy for Superman, Jay-Z was faced with a similar narrative dilemma in 2001, and responded in kind on his sixth album, The Blueprint.
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